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Loretta Studios & Gallery

Structural Approaches to Flameworking with Kit Paulson (borosilicate)

Structural Approaches to Flameworking with Kit Paulson (borosilicate)

Regular price $1,695.00 CAD
Regular price Sale price $1,695.00 CAD
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Borosilicate Workshop May 11th through 15th 2026
9am to 4pm each day with a 1 hour break for lunch
Taught by visiting artist Kit Paulson

Type of glass used: Borosilicate/C.O.E. 33 

Starting with basic borosilicate flameworking techniques, this class will focus on building structures in solid glass. Working directly from scale drawings, students will learn to construct complex structural forms from small motifs. Learn through demos, illustrated hand-outs, slide shows and lots of hands-on practice. An introduction to moving parts may also be provided for those ready. Students can expect to learn the fundamentals of borosilicate flameworking as well as techniques more specific to this method of building. 

This workshop is targeted towards students with moderate glass experience looking to increase their arsenal of skills. Students are expected to have some experience working with solid borosilicate. If you are unsure that you meet the requirements, please send us an email.

Tools and materials are provided for the class and include your own kiln shelf to keep after class, glass and other supplies (value of $200).

Due to the nature of glass, students will have to return to pick up their finished pieces after they have been annealed.

Please email us if you have any questions.

Kit Paulson received her MFA from Southern Illinois University and her BFA from Alfred University. She has taught across the United States and internationally at schools including Penland School of Craft; Pilchuck Glass School; Corning Museum of Glass; Bildwerk Frauenau, Germany; National College of Art and Design, Dublin, Ireland; and Canberra Glassworks in Canberra, Australia. Kit has completed residencies including the S12 Gallery in Bergen, Norway, the Tacoma Museum of Glass, and a three-year residency at Penland School of Craft. Her work has been published in New Glass Review editions 36, 37, 38 and 41, and is in the permanent collection of the Renwick Gallery of the Smithsonian Museum. She currently maintains an independent studio practice in Penland, North Carolina, USA.

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